Cutting the Crap

Among the more dubious traditions of Western Zen is a particularly frustrating custom we might sum up as "crap on Korea".

We needn't look far for its origins. The West was first missionised by teachers from Japan, where crapping on Korea is a national sport. That, coupled with the tedious piety of their Western descendants, about covers it.

And that's too bad, because not only is Korea a world power in actual Buddhism – equal to Japan, both historically and currently – but its take on the matter is refreshingly bold and vivacious.

My first encounter with Sôn – the Korean iteration of Ch'an, the parent tradition of Zen – came very early in my practice, when I discovered the teachings of Seung Sahn. To say he influenced my calling is an understatement; this is the guy who introduced me to 100 Days on the Mountain, which would go on to become the cumulative event of my enlightenment practice to date.

Seung's non-Imperial impact may also explain my love of Korean Buddhist cinema – a felicitous coïncidence, given that most Buddhist cinema is Korean. I've already reviewed one prime example in these pages, and have a few more in the tubes.

But when it comes to the power of compulsive crapping, Wonhyo must be Exhibit A.

Here's an experiment: ask any Zenner for an opinion on my brother Wonhyo. I don't say this to get you in trouble; chances are slim this person will vociferate. Rather, he or she will probably strike a blank expression and seek more information. Korean poet? Sôn ancestor?

Well, yeah. And also one of most influential Buddhist scholars in history.

You know, little stuff like that.

How seminal was Wonhyo? Dig this: few historians identify him as a Sôn (or Zen, or Ch'an) follower. Mostly they sum up his religious training in words similar to those of the New World Encyclopedia:

He entered Hwangnyongsa Temple as a monk, studied Buddhism, Confucianism, and Taoism, and diligently practiced meditation.

Yeeeeah…. that's Zen, son. So why don't they just say Zen?

Well, after delving a bit and observing multiple sources dance around the subject, I've come to the conclusion that there wasn't any Zen/Sôn in Korea at the time.

Or rather, it was in its fetal stages.

Or rather, Wonhyo invented it. (In sangha with others, of course.)

One thing is certain: Seung Sahn refers to him multiple times as "Zen master Wonhyo". (At least in English.)

I could go on. How Wonhyo's works fill a library. How they directed the development of Zen throughout Asia – including Japan. How the man himself practiced a kind of assumption-busting Buddhism that elicits comparisons to Ikkyu.

And how his bounteous, germinal scholarship is only just now being systematically translated into English. (Ahem.)

But I'd rather share a particularly potent fragment of his Sôn. Check out this text, lifted from Wikipedia:

In 661 [Wonhyo] and a close friend […] were traveling to China [when] the pair were caught in a heavy downpour and forced to take shelter in what they believed to be an earthen sanctuary. During the night Wonhyo was overcome with thirst, and reaching out grasped what he perceived to be a gourd, and drinking from it was refreshed with a draught of cool, refreshing water. Upon waking the next morning, however, the companions discovered much to their amazement that their shelter was in fact an ancient tomb littered with human skulls, and the vessel from which Wonhyo had drunk was a human skull full of brackish water.

Upon seeing this, Wonhyo vomited.

Startled by the experience of believing that a gruesome liquid was a refreshing treat, Wonhyo was astonished at the power of the human mind to transform reality.

That-there's a straight-up shot of Korean Zen. It has something – ineffable, powerful – that other Zens lack.

And it busts open my mind.

(Photo of Seoul's Wonhyo Bridge courtesy of Minsoo Han and Wikimedia Commons.)