Street Level Zen: Nihilism

"He's a nihilist."

"That must be exhausting."

– The Big Lebowski


(Photo courtesy of Pexels.com and a generous photographer.)

WW: Bachelor cake

(Last of a traditional Scottish bachelor cake that I baked for Christmas. First time in 30 years. Still just as good.)

Appearing also on My Corner of the World.

Secret of My Success

"The secret of writing about Zen practice is sincerity, and if you can fake that, you've got it made."

My riff on a quotation from George Burns. Or Jean Giraudoux, or Groucho Marx, or any of several other posited sources. It's likely an old saw from Yiddish theatre or similar Jewish art form. Not only are many proposed authors [none of whom claimed to invent it] Jewish, but the quip itself has the distinct salt of Hebrew insight.


(Photo of a 'George Burns' variety rose courtesy of Nadia Talent and Wikimedia Commons.)

One-Legged Meditation

Though this seems at first glance avant-garde sculpture, in real life it's the famous one-legged torii of Nagasaki.

You can fill in its backstory yourself.

This Shinto devotional object was just another spirit gate, like thousands of others in Japan, until retrofitted for the Atomic Age by the US Air Force. The survivors took its still standing, despite the instant destruction of their entire city and the amputation of over half the monument, as an icon of hope. While rebuilding their home, they carefully preserved this gate, unmoved and unrestored, in front of the shrine that no longer existed behind it. (Though it soon would again.)

Today both are close-pressed by modern urban development, quite unlike the quiet neighbourhood in which they started, though neither has travelled so much as a yard since the day they were built.

And though all of this is as Shinto as it comes, I can't help but find commanding Zen significance in it, too.

To me, that war-veteran torii's silhouette – gates being a foundational metaphor for us, too – speaks to the nature of enlightenment practice. You practice where you are, how you are. If you lose a leg, you practice on the other.

And if an atomic bomb annihilates everything you know, you practice in the remains.

Nothing to do with machismo; it's just that you have no alternative.

I'm particularly touched by the Little Apocalypse – the tidal wave of concrete that drowned shrine and spirit gate in a matter of decades. Because while I struggle to imagine their Great Apocalypse – it's just more horror than my mind can honestly grasp – I've lived, and continue to live, the little one over and over.

Thus the sight of that silent, single-minded symbol of trust and true nature, standing up to its chin in a mindless race to oblivion, has special relevance for me. In that sense, notwithstanding religious distinctions or the brutality it's survived, we're comrade monks.

It's simply the most succinct expression of Things As They Are that I have found.

Today humanity is flirting with holocaust at least as hot as WWII. Given the geo-engineering challenges we choose to ignore; our growing embrace of political ideologies long proven suicidal; and the diplomatic tools we beta'd at Nagasaki, this could reasonably be the end.

It's difficult for me as a historian, a Zenner, and a decent guy, to remain in harness in the midst of our extinction.

So, what to do?

Well…

Sit down.

I'll also be keeping a photo of the one-legged torii of Nagasaki somewhere in the house, where I can see it.

(All photos courtesy of Wikimedia Commons. Contemporary view also courtesy of Frank Gualtieri. View of torii after blast from bottom of stairs also courtesy of U.S. Strategic Bombing Survey, 1945; Committee for Research of Photographs and Materials of the Atomic Bombing; Nagasaki Foundation for Promotion of Peace; and the Nagasaki Atomic Bomb Museum. Torii's eye view of the devastated city also courtesy of 林重男 [Hayashi Shigeo].)

WW: Radio fixation

(Radio operators are weird about their equipment. We love to look at it. I take photos every time I set up in a new place. This time it's on the second floor of a friend's house, to a longwire antenna running through the sliding door behind it to a tree at the edge of the property. All of which is fascinating, I'm sure.)

Appearing also on My Corner of the World.

Fudo City

This is Nicola White, my favourite mudlark. (Yes, I have a favourite mudlark. I also have other mudlarks, who, while not my favourite mudlark, are also brilliant. If you don't have a favourite mudlark, what are you even doing?)

Ordinarily I unspool a mudlark video here and there for a bit of exotic foreign beachcombing. Because the seaweed is always greener on the far side of the planet. And let me tell you, us New Worlders are missing out; what Nicola finds in the Thames – midtown London, mind you – is better than anything I'll find in the North Pacific, ever.

But that's just the inescapable luck of the draw. Consider, for example, that I'd rather not dig clams there. Some things you got, some things you ain't. (Second Noble Truth, with a worldly-dharma chaser.)

But this one drove me mad. I'm talking physical pain. Because this time, my girl Nicola outed me as a bad monk, a self-righteous Buddhist, and a very strange man.

It starts about 1:40 – the video opens at that mark when you click on it – where, if you look carefully at the mud... you'll see a washer.

An old, rusty, well-abused washer.

The sort that makes a first-class fudo.

And boy, does that trigger my greed! You can see it right there. It's within reach. The camera places you right behind the hand. "It's right there! Just right! No, don't pan away!"

But that happens a lot in mudlarking videos. What is less common, happens next.

Another one. Just as good and just as near.

Then another. And another.

I counted at least half a dozen before Nicola wandered on, for a total of about a minute and a half of torment. And God knows how many other rings lie just out of frame.

Needless to say, she walks right past all of them. Because she's after, like, actual stuff. Interesting stuff. Thought-provoking stuff she can use in her artwork. (That's what Nicola is: an artist.)

So she doesn't need a pack of rusty washers.

She's probably got enough of those to hold the duration.

But if you're a fudo maker, that dreggy hardware shines, if only metaphorically, right off the gloomy muck. (Looking remarkably like ours, come to that. Amazing how similar the UK is to the North Coast.)

I'm telling you, that's powerful iron. Those guys contain enough disdain for suffering, each one, to make Mara incontinent for days.*

And I could reach out and take them, if my arms were 5,000 miles longer.

You're killing me here, Nicola.

*MaraisnotrealpleasedonotascribesufferingoreviltoasupernaturalbeingcalledMaraMaraisjustallegoryfordelusionformoreinformationpleasesitzazen.

WW: Sunset over the North Pacific

Appearing also on My Corner of the World.