Which is why I recently read Ben Connelly's Inside the Grass Hut: Living Shitou's Classic Zen Poem. The work it explores – Song of the Grass-Roof Hermitage – is a largely overlooked classic of Zenlit, and another title in a peculiar hermit genre: the boy is my house awesome essay.
To structure his examination, Connelly simply lingers on each verse in turn, elaborating on its broader meanings. Soto priest at Minnesota Zen Meditation Center, he's a talented teacher working from a Taigen Dan Leighton translation, and his meditations on Shitou's pithy, economical dissertation on hermit practice are worthy companionship for others who aspire to it.
Connelly's own observations are couched in a classic Western Zen voice, upgraded with a deferential tingle of irony that fends off the piety that sometimes weakens similar efforts. His willingness to join the rest of us, and his gentle sense of humour, drive his philosophical points home in such a way that they highlight the inherent truth of the source material and invite the reader to delve along with him.
Witness this reading of a Zen moment from American pop culture:
In the movie I Heart Huckabees, an "existential detective" asks her new client, "Have you ever transcended space and time?" The client, bewildered, answers, "Yes. No. Uh, time, not space. No, I don't know what you're talking about." From a Zen perspective, all his answers are good, none of them are true, and the last one is likely the best."
(In fact, the client's whole response, if delivered while looking his opponent in the eye, would be an awesome dharma combat parry.)
This tone pervades Connelly's thoughts on all 32 lines of the poem; at two to three pages apiece, a rhythm that keeps things flowing and maintains momentum. As such it's a good example of what I call a "bathroom book" – a work you can digest in short, self-contained chunks at a regular pace, unhurriedly building an ecosystem from the images it contains. It's an ideal structure for conceptual musing. The text is light enough to be accessible to those unaccustomed to Zen thought – in fact, a great introduction to our intellectual tradition – yet meaty enough (if I may be forgiven the reference) to illuminate experienced seekers. In short, it has "instant classic" written all over it.
I found Inside the Grass Hut valuable support for hermit practice, and expect to reread, quote, and recommend it in future. If you're looking for an insightful Zen read that meets you where you are and continues giving as your practice matures, this book will set you up.
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