Which is why I recently read Ben Connelly's Inside the Grass Hut: Living Shitou's Classic Zen Poem. The work it explores – Song of the Grass-Roof Hermitage – is a largely overlooked classic of Zenlit, and another title in a peculiar hermit genre: the boy is my house awesome essay.
To structure his examination, Connelly simply lingers on each verse in turn, elaborating on its broader meanings. Soto priest at Minnesota Zen Meditation Center, he's a talented teacher working from a Taigen Dan Leighton translation, and his meditations on Shitou's pithy, economical dissertation on hermit practice are worthy companionship for others who aspire to it.
Connelly's own observations are couched in a classic Western Zen voice, upgraded with a deferential tingle of irony that fends off the piety that sometimes weakens similar efforts. His willingness to join the rest of us, and his gentle sense of humour, drive his philosophical points home in such a way that they highlight the inherent truth of the source material and invite the reader to delve along with him.
Witness this reading of a Zen moment from American pop culture:
In the movie I Heart Huckabees, an "existential detective" asks her new client, "Have you ever transcended space and time?" The client, bewildered, answers, "Yes. No. Uh, time, not space. No, I don't know what you're talking about." From a Zen perspective, all his answers are good, none of them are true, and the last one is likely the best."
(In fact, the client's whole response, if delivered while looking his opponent in the eye, would be an awesome dharma combat parry.)
This tone pervades Connelly's thoughts on all 32 lines of the poem; at two to three pages apiece, a rhythm that keeps things flowing and maintains momentum. As such it's a good example of what I call a "bathroom book" – a work you can digest in short, self-contained chunks at a regular pace, unhurriedly building an ecosystem from the images it contains. It's an ideal structure for conceptual musing. The text is light enough to be accessible to those unaccustomed to Zen thought – in fact, a great introduction to our intellectual tradition – yet meaty enough (if I may be forgiven the reference) to illuminate experienced seekers. In short, it has "instant classic" written all over it.
I found Inside the Grass Hut valuable support for hermit practice, and expect to reread, quote, and recommend it in future. If you're looking for an insightful Zen read that meets you where you are and continues giving as your practice matures, this book will set you up.
On this Christmas of 2023, all of us here at Rusty Ring wish our readers the best and kindest of seasons.
Right in darkness there is light.
(Painting by Ohara Koson. Image file courtesy of Rawpixel.com.)
"Within darkness there is light, do not be against the light."
Shítóu Xīqiān (Sekitō Kisen)
Best of thoughts to my Jewish brothers and sisters worldwide on this first night of the Festival of Light.
Chanukah 2023 - 7 to 15 December.
(5784 - 25 Kislev to 2 Tevet.)
(Photo courtesy of Benigno Hoyuela and Unsplash.com.)
But some sangha just have a giant chip on their shoulder about the Church, and so become the jutting jaw we hear about every year in the carol. You know: "Four colleybirds, three French hens, two turtle doves, and a big honkin' juttin' Zen jaw." In so doing, they surrender all Yule to a fanatical fringe that speciously demands ownership of it, and their own religious convictions to crass competition.
We Boreals have a deep physiological need to confront the terrifying cold and black of Dark Solstice, and so the symbols of light and fire, of evergreen, ever-living, winter-fruiting vegetation, and general contempt of death and fear, crop up repeatedly throughout our hemisphere. It's perfectly logical to find religious significance in natural phenomena, the only indisputable scripture there is. That's why Rohatsu – marking the time the Buddha sat under a symbol of the cosmos for eight days straight and was reborn in the laser light of the morning star – is in December. The Jews commemorate a lamp that burned for eight days without oil; Greeks and Romans sacrificed to the Harvest God, who dies every year and is reborn the next. And Christians celebrate the birth of their Saviour – bringer of light, defeater of death – though he was actually born in March.
In other words, they celebrate the effect of Christ's coming, not its fact, but sadly that's more insight than many contemporary Christians can muster. And so they've made the Season of Peace a battleground. "Jesus is the reason for the season!" is not a cry of gratitude; it's a rebuke to people who take their kids to see Santa Claus.
So it's game, point, and match to sanctimony. But wait, here's Team Zen, taking the ice! Will they make this a game?
No.
Some Zenners campaign to remove Christmas trees from airports; razor Christ-themed carols from school "Winter" concerts; even ban Santa from the mall. (I don't even know where to start with those.) Others just wall themselves up in their little cells and chant loudly in fake Chinese to fend off any errant strains of Bing Crosby that might filtre through their double-glazing.
This in spite of the fact that Christmas is the most Buddhist of holidays; arguably more, actually, than it ever was Christian. It's Sekitō Kisen all over again:
Darkness is a word for merging upper and lower,
light is an expression for distinguishing pure and defiled.
The four gross elements return to their own natures like a baby taking to its mother:
fire heats, wind moves, water wets, earth is solid;
eye and form, ear and sound, nose and smell, tongue and taste—
thus in all things the leaves spread from the root.
The whole process must return to the source.
Noble and base are only manners of speaking;
right in light there is darkness but don’t confront it as darkness,
right in darkness there is light but don’t see it as light.
Light and dark are relative to one another like forward and backward steps.
Read this chant – possibly for a first honest time – and tell me it ain't a fair-dinkum Zen Christmas carol.
The only reasonable Zen response to the ancient rite of Jul is acceptance. Acceptance of its universal origin; of its truth; and crucially, of the Dharma, which clearly passes right down the middle of it.
We are in the delusion-slashing business. I respectfully suggest we apply those skills, now they are more vital than usual, to restoring the true meaning of – and demilitarising – Christmas.
May we look deeply, every one.
(Photo of Irish Christmas card courtesy of Shirley Wynne and Wikimedia Commons, from an album of Christmas cards collected by Georgina Pim of Crosthwaite Park, Dun Laoghaire, Dublin, between 1881 and 1893.)
