Showing posts with label Kamo no Chômei. Show all posts
Showing posts with label Kamo no Chômei. Show all posts

Thursday, 26 November 2015

Good Book: Meditation in the Wild

In Meditation in the Wild: Buddhism's Origin in the Heart of Nature, Charles S. Fisher writes:
"Buddhism was born in the forests of India. [...] The Buddha found his original revelation while practicing as a forest monk. [...] He developed an understanding of nature which would become part of the remedy he proposed for the problem of human discontent. [...] He chose wild nature - the evolutionary context in which humans arose - as the place to do this. [...] He went to the place in the human mind where there is understanding without words."
The next 315 pages go on to prove his thesis.

Not that it's easy; as a quotation from Theravada scholar Richard Gombrich points out:
"So much of the material attributed to [the Buddha]… is so obviously inauthentic that we can suspect almost everything. In fact, it seems impossible to establish what the Buddha really taught. We can only know what early Buddhists believed he taught."
And this, as it happens, is very different from what we've been told. For example, some of their records maintain that Gautama encountered his famous Four Sights on the way to the forest, where he sat and pondered what he saw. Others suggest that the pivotal debate between Mara and Gautama on the eve of his Enlightenment was actually about the Devil's contention that the young man had no right to strive to end suffering. All those statues of him touching the earth, they contend, depict him saying, "Check it out, dipstick: I'm home. Go find someone who cares."

But outdoor practice was hard – even harder than it is now – with dangerous wildlife and tribal warriors still ruling the outback, and the impulse to organise was strong. Yet The Kindred Sayings of Kassapa show the Buddha "bemoan[ing] the passing of the forest way of life and criticis[ing] those who depart from it"; he may have gone so far as to advocate a straight-up return to hunter-gathering, according to texts that describe his sangha living off the land, hunting game, and never returning to the Red Dust World. The fact that Buddhism spread to new lands precisely as Indian forests were clearcut leads one to wonder what exactly the motivations of those first "missionaries" were. (It also throws intriguing light on the Bodhidharma story. Canon holds that when asked why he came all the way to China to sit under a tree, he replied: "Because this is the best tree in the world." Perhaps his actual words were something like, "Because you still have trees.")

Conjecture aside, the founding generation of Buddhists exhorted aspirants to imitate Gautama literally. Mahakasyapa, a member of the Buddha's inner circle, died a loud and proud hermit, as did no less than Sariputra, of Heart Sutra fame. Finally, reports of early Western observers – Greek travellers – confirm that the first Buddhists were itinerants, without clergy or temples.

But as the movement grew respectable and sedentary, hermits were increasingly viewed as "unsocial, possibly antisocial, and potentially dangerous to established Buddhism." This last repeated pious tales of the Buddha's forest practice, but openly discouraged others from emulating it. Old-school monks, known as "mahallas", were accused of backsliding and dissolution and reviled by the ordained. (Some verses quoted in Wild are stunningly similar to the rant St. Benedict unleashed on Sarabaites and Gyrovagues at an identical stage in Christian history.)

To be sure, over the past 2500 years Buddhist back-to-the-landers have continued to crop up; modern Zen and Theravada are remnants of two such rebellions. Possibly Wild's greatest gift is the two and half millennia of these forgotten reformers it lifts from obscurity. Along the way its author weighs the relative merit of individual cases. He reviews Issa's suburban eremiticism, which echoes most current hermit practices, with guarded approval, but – interestingly – takes Bashō, Ryokan, and Kamo No Chomei firmly to the woodshed.

And that's where I get off the train. In these passages, Fisher reminds me of Thoreau's critics, calling down suspects for claims they never made. His indictment of Bashō does ring, but he repeatedly spins individual innovation in self-directed practices as weak or duplicitous; in the case of Ikkyu, he indulges in crass bourgeois morality. Somehow, in all of his research on us, he missed our core vow: "I will neither take nor give orders." I may raise an eyebrow at others (OK: I do raise an eyebrow at others) but ultimately I have no right to deplore them. Licence to judge is a delusion of the ordained.

But this mild annoyance in no way diminishes the significance of Fisher's work. His journalism is both intrepid and thorough, penetrating the Thai forest lineage – a modern restoration movement – at length and documenting the gradual deterioration of Zen, from Bodhidharma's boldly-planted hermit flag, to the dismissal of 19th century hermit Ryokan (his own beefs with him aside) as a "lunatic". He finishes with an account of his own brushes with eremitical practice (Fisher is not a practising hermit per se, but is attracted to our forms) and a light survey of four contemporary American hermits. All in all, it's the most comprehensive treatment of the subject I've found anywhere.

And I found it impossible to put down. With any luck, Meditation in the Wild will stand for many years as Eremitical Buddhism 101 for sincere students of the Buddha's way.

Thursday, 19 June 2014

Hut Lust

You know when you're researching a blog article and then you run across something entirely unrelated thanks to Google's arcane search algorithms, but it's so awesome you stop writing about that other thing and write about this one instead?

I love that.

Some time ago I wrote a post about suitable shelters for forest practice. Now I find that some scholarship into that subject has already been done, thanks to interest in Kamo no Chômei. Buddhist hermit of indeterminate lineage, Chômei is most famous for his essay Hôjôki (方丈記), or The Ten Foot Square Hut. And you'll never guess what that essay is about.

To this day there's a certain amount of fascination with his accommodations among fans. Very few of whom, interestingly, are in the English-speaking world. That the most complete and succinct source I could find was Japanese is perhaps not so surprising, but even the runners-up were German and Hungarian. (One wonders if their appreciation of Chômei might be insight into their cultures.)

Anyway, having perused these blueprints in three languages, I'm prepared to certify them. Chômei's hut looks entirely serviceable, without being excessive, and a fitting counterpart to the similar cribs of Ryokan, Issa, and Thoreau.

Perhaps the man himself put it best:
But in this little impermanent hut of mine all is calm and there is nothing to fear. It may be small, but there is room to sleep at night, and to sit down in the day-time, so that for one person there is no inconvenience. […] If one knows himself and knows what the world is he will merely wish for quiet and be pleased when he has nothing to grieve about, wanting nothing and caring for nobody.



UPDATE, 21 June 2014: A reader directed me to this excellent video tour of Kamo no Chômei's hut. Check it out!



(Photo of Kamo no Chômei's preserved hut by David Dorsey; diagrams by アトリエかわしろ一級建築士事務所 and Carpe Diem Teaház.)

Thursday, 5 September 2013

Hermitcraft: Shelters For Forest Practice

The interior of Thoreaus original cabin replica, Walden Pond

Thoreau's cabin at Walden
My decision to live in a tiny tent during my 100 Days on the Mountain, rather than more comfortable quarters, was largely influenced by my determination to live in the forest, rather than just near it. (It was also my only option when I thought I'd have to sit on public land.) But in the doing I discovered that a cabin is necessary to do this right; it spares you practice-robbing work and health risks. Let's be clear: by "cabin", I mean four walls and a roof. A shepherd's trailer; a wall tent; a tool shed; a plywood hut; eight by twelve of simple headroom. More, and you're no longer in the woods.

• Your shelter should have as many windows as possible, for morale and to keep you "in-frame". A broad, wrap-around opening in the walls, screened and shuttered, is perfect. A roofed porch or awning is also useful.

• As I learned, a woodstove can be invaluable in northern climes, even in summer. Otherwise it can be impossible to stay clean; you can't dry your clothes and it's difficult to bathe through cold and rainy weeks. The small portable models they make for hunters are fine.

Shepherd's trailers
• Since cooking on a woodstove is an arcane skill, uncomfortable in warm weather and time-consuming, you'll need a camp stove as well. A single propane or butane burner is entirely adequate and can be used indoors with adequate ventilation.

• Take pains to secure a comfortable cot and a good pillow; unbroken sleep is vital to effective practice.

• You will also need a table and chair. Lack of comfortable seating is a technique governments use to torture prisoners. They do not become enlightened. (Mandarin or convict.)

• Install shelves or cabinets, and a variety of hooks, for storage.

Simple garden shed
A corrugated metal roof and/or sides makes for a fast and solid building, fine for one-season use. A corrugated plastic roof, light to carry and cheap to buy, also acts as a skylight. A wood floor, while not necessary, makes staying clean a lot easier. (If using a tent, consider a plywood platform, a sewn-in floor, or at least a heavy canvas ground cloth.)

Finally, it's a good idea to make whatever structure you choose as neat as possible. People are already suspicious of us. You don't want to give those Ted Kaczynski references any free hand.

Basically, you want something that's dirt-basic but a whole lot cleaner. Then raise the Bandana Ensign in the dooryard and bust some suffering!

UPDATE, 19 June 2014: see my post on Kamo no Chômei's classic hermit hut.

UPDATE, 30 July 2015: Swedish architect draws designer hermit digs! Read about it here.

(Adapted from 100 Days on the Mountain, copyright RK Henderson. Photos: Thoreau's cabin (Tom Stohlman) and shepherd's trailers (John Shortland) courtesy of Wikimedia Commons; simple garden shed from Sheddiy.com.)