Thursday, 16 April 2020

Primo Makyo, Dude!

As I've said before, it's dangerous to listen to others' meditation experiences. You end up feeling like your own practice doesn't measure up, or imagining you're experiencing stuff you're not. Which introduces further delusions, when you were trying to eliminate some.

This is why such talk is discouraged in Zen.

But keeping makyo moments mum can create other obstacles, notably a sense that you've received special dispensations when you experience them yourself, when in fact all you've done is dream awake. And getting attached to such phenomena can be as damaging to your Zen practice as tales of others' accounts; possibly more so.

Therefore, today I'm going to buck the trend and relate a few groovy trips I've had when I was supposed to be sitting.

Surely the most entertaining was the time I entered satori and had an argument with a bird. The bird – an actual one, who was real and everything – was perched on a tree at some distance and calling boldly, as songbirds are wont to do. And I was rebutting his assertions. (Silently; in my mind.)

I'm fairly certain my opponent was unaware he was engaging in dharma combat. Any road, most birdsong is one-sided communication, meant to warn others of the arse-kicking that awaits if they overstep some invisible territorial limit.

But the experience was very real to me. And amusing; I almost laughed out loud.

A few minutes later I felt my hand open a door to a deep, infinite black cellar, whereupon I shouted into the emptiness, and found great meaning in the lack of echo.

That was just one occasion, though enhanced and intensified by satori. In less cinematic instances I've entered the classic state of oneness; the bliss high; the disappearance of ego and attendant evaporation of the tribulations it catalogues; and the expansive awareness of Creation in all its numberless galaxies. If some of these images crop up on the old blog here, doubtless they're inspired, at least in part, by these lapses in monastic discipline.

But sadly, human beings have long taken such falderal for "visions" or "the voice of God" or "gifts of the Great Mind" or any number of other self-aggrandising misapprehensions. Whole religions have sprung from this crap.

And crap it is. You may in fact find insight in such hallucinations, but only if they jar something else loose in your skull, and only then if you pay close attention to your reaction. It's like a koan; the tale itself contains no teaching. It's the things your head does in response that lead to opening.

There's a famous story of a Zen monk – one of the more prominent Ancestors; I forget which one – who became enlightened after years of intensive practice by a pebble bouncing off his rake. The same principle is in play when you trip out on the cushion. Pebbles hit stuff.

Because sitting, like sleep, ploughs up the silt. And as in your night dreams, clods of it can acquire significance, generally by apophenia. The result may lead to useful insight, but all the action is inside your head, and no more substantial than anything else that happens in there, however spacey and novel it may feel in the moment.

I think most serious meditators experience such flights from time to time. I had them more often in the beginning. In recent years they've become fewer and less dramatic. If such things don't happen to you, maybe you're just better at this zazen thing than the rest of us.

Either way, don't get attached. Smile at the pleasant visions, raise an eyebrow – figuratively speaking – at the distressing ones, and watch both of them pass.

Then return to the breath.

We're not here to be Awesome Zen Masters. The job description is: sit still and do nothing.

And all that 60s-era far-outtedness sounds like something, to me.


(Photo courtesy of Jan Meeus and Unsplash.)

Wednesday, 15 April 2020

Thursday, 9 April 2020

Scale

A galactic sunflower

Humanity: "If a tree falls in the forest, and no-one is there to hear it, does it make a sound?"

Rest of the Universe: "Mm. So, anyway…"


(Photo of Messier 63, just one galaxy in the M51 Group, all of whose lifeforms are noteworthy for the total lack of prestige any of them impute to humanity, courtesy of ESA/Hubble, NASA, and Wikimedia Commons.)

Thursday, 2 April 2020

The Long Game


















The final line first
Flow most gracefully when you write
As in life, haikus


(Kakinomoto no Hitomaro, by Utagawa Kuniyoshi, courtesy of Rawpixel.com.)

Wednesday, 1 April 2020

WW: Venus flytrap blossom


(Dionaea muscipula. Yeah, they do that. Every year about this time.)

Thursday, 26 March 2020

Good Song: Don't Judge a Life



If you don't know John Gorka, you should know John Gorka.

Few artists sing the human heart like John. A number of his songs sum up affecting moments of my life in ways that not only people my isolation, they help me understand what happened.

But in this case he's addressing a wider problem. The immediate topic is fellow poet and good friend Bill Morrissey, who possessed much the same gift as John's, had much the same sort of career – ignored by the machine, adored by initiates – and died in 2011 from complications of a dissolute life.

An Amazon reviewer who knew Bill quoted him from a conversation they'd had:
"Most everybody knows that I've had some rough sledding for the last few years, including my well-known battle with the booze. A couple of years ago I was diagnosed as bipolar and I am on medication for depression, but sometimes the depression is stronger than the medication.

"When the depression hits that badly, I can't eat and I can barely get out of bed. Everything is moving in the right direction now, and throughout all of this I have continued to write and write and write."
And then he was gone.

Don't Judge a Life – bookend to Peter Mayer's Japanese Bowl, spinning the issue from first to second person – is a reminder we all need on a daily basis. I particularly like this part:
Reserve your wrath for those who judge
Those quick to point and hold a grudge
Take them to task who only lead
While others pay, while others bleed
Readers with a solid base in Christian ethics will instantly recognise the source of this counsel. The same precept in the Buddhist canon is a little less explicit, but our teachings on bodhisattva nature clearly endorse and require it.

And both faiths stand firmly on the last verse.

DON'T JUDGE A LIFE
by John Gorka

Don't judge a life by the way it ends
Losing the light as night descends
For we are here and then we're gone
Remnants to reel and carry on

Endings are rare when all is well
Yes and the tale easy to tell
Stories of lives drawn simplified
As if the facts were cut and dried

Don't judge a life as if you knew
Like you were there and saw it through
Measure a life by what was best
When they were better than the rest

Reserve your wrath for those who judge
Those quick to point and hold a grudge
Take them to task who only lead
While others pay, while others bleed

Tapping the keys in a life of rhyme
Ending the tune and standard time
Silence fills the afternoon
A long long way to gone too soon

Don't judge a life by the way it ends
Losing the light as night descends
A chance to love is what we've got
For we are here and then
We're not

John Gorka in red car (photo Jos van Vliet)

(Photo courtesy of Jos van Vliet and Wikimedia Commons.)